Navegando por Autor "Cauduro, Adroaldo"

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Cantando poetas das Américas: vozes femininas
(Universidade do Estado do Amazonas, 2020-09-10) Cauduro, Adroaldo
This book has a selection of poems by Maria Dinorah, Astrid Cabral and Emily Dickinson musicized for choir, string orchestra, instrumentalists and solo singers. It is a tribute to the female poetic voice of the Americas.
Missa da coroação de Mozart (KV 317): referenciais interpretativos à construção de sua performance
(Universidade do Estado do Amazonas, 2023-07-19) Cauduro, Adroaldo; Ostergren, Eduardo Augusto
The present work aims to study the compositions created by Mozart for the Coronation Mass (KV 317). In the production it is possible to come across the unexpected, the genius, creativity and pragmatism. In addition, the authors establish guidelines and interpretative references that can assist conductors, musicians and singers in the elaboration of their performances of the Coronation Mass.
Sinfonia Nº 35 de Mozart (K 385): aspectos interpretativos à sua performance
(Universidade do Estado do Amazonas, 2021-07-16) Vulcão, Edicélio Mourão; Cauduro, Adroaldo; Cauduro, Adroaldo; Ivanou, Vadzim; Kazak, Irina
The present work sought, from the academic and artistic experience in conducting Mozart’s Symphony n. 35 “Haffner” (K.385) to organize guidelines and interpretative references that may help in particular, the student community in conducting and professionals already active in this area in the construction of their performances of this symphony. Thus, a study was carried out observing its historical aspects through the already written bibliography on the subject (national and foreign), as well as an in-depth musical study from the conductor’s point of view.
Sinfonia no 40 de Wolfgang Amadeus Mozart (K. 550): aspectos interpretativos à sua performance
(Universidade do Estado do Amazonas, 2022-10-21) Freitas, Thiago da Silva; Cauduro, Adroaldo; Ivanou, Vadzim; Kazak, Irina
This work aimed to present interpretative references that could help students of the conducting course and other professionals in the area in the construction of the performance of the Symphony no 40 by Wolfgang Amadeus Mozart. In this way, a study about the historical aspects was carried out simultaneously with the musical study according to the conductor's point of view.