Navegando por Autor "Gomes, Alexandre Rodrigues"

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O alcance de um grito: uma reflexão acerca da estética e cosmovisão expressionista
(Universidade do Estado do Amazonas, 2019-01-18) Gomes, Alexandre Rodrigues; Rios, Otávio
This article discusses Expressionism as an aesthetic phenomenon, a vision of reality, mapping its manifestations and cultural influence through literature and other arts, as well as the finissecular period in which the expression expressionism came to be used. The work methodology consisted of reading and discussing, recording and producing reviews of the works studied and their respective critical fortunes. Because it was a work of hermeneutics, the research had a qualitative character, through a bibliographical review. Among the results, we note the expressionism expression (s) in Portuguese language and the evidence of Expressionism not only as a cultural vanguard situated in a specific historical and geographical context - which are the Nordic, Germanic and Eastern European societies, during the transition from the nineteenth century to the twentieth century - but also as absolutely timeless aesthetic, whose roots go back to the Middle Ages and the Baroque and whose influence continues until today.
Cartografia do expressionismo na literatura de língua portuguesa
(Universidade do Estado do Amazonas, 2018-08-24) Gomes, Alexandre Rodrigues; Portela, Otávio Rios; Portela, Otávio Rios; Soares, Neiva Maria Machado; Ipiranga, Sarah Diva da Silva
ABSTRACT The theme of this research explores inter-art studies, relating literature, theater and cinema in order to investigate examples of Expressionist aesthetics in literature written in Portuguese language, based on the critical study of two plays by the Portuguese writer Raul Brandão (1867-1930): O Gebo e a Sombra (1923) and O Avejão: EpisódioDramático (1929), and two plays by the Brazilian writer Nelson Rodrigues (1912-1980): Vestido de Noiva (1943) and Valsa no6 (1951). Additionally, the impact of Expressionist aesthetics on film art from the 1920s to the early 21st century will be also be explored beased on such theorists as Roger Cardinal, R.S. Furness and Lotte H. Eisner. Finelly, approaching Raul Brandão's theater, this research will also feature the reflections of such scholars as VítorViçoso, Eduardo Lourenço and Otto Maria Carpeaux, as well as several other whose articles on the Portuguese writer were collected and organized in a book by Otávio Rios Portela. As for Nelson Rodrigues's dramaturgy, besides SábatoMagaldi's studies, Eudinyr Fraga's findings on Expressionist resources in work of Rodrigues will be fundamentally important. Although Expressionism is the axis that crosses and guides this research, other topics equally relevant to the understanding of work and thinking of these two authors will also be explored. Keywords: Expressionism. Literature. Cinema. Raul Brandão. Nelson Rodrigues.
Lídia Jorge e Mia Couto: convergência pós-coloniais
(Universidade do Estado do Amazonas, 2019-12-11) Gomes, Alexandre Rodrigues; Portela, Otávio Rios
This article is a study of the novel A Costa dos Murmúrios (1988), by the Portuguese writer Lídia Jorge. The referred work is analyzed here as a post-modernist historiographical historiographic postmodernist metafiction, which inserts it in a broad aesthetic paradigm of contemporary Western culture. western contemporary culture. The article also establishes a parallel between the narrative of the writer Lusitanian writer and the Mozambican writer Mia Couto in his novel A Confissão da Leoa (2012), In this sense, it is necessary to establish a parallel between the narrative of the Portuguese writer and the Mozambican writer Mia Couto in his novel A Confissão da Leoa (2012), due to stylistic and thematic affinities between both the representation of women in contemporary times and the post-colonial context, in addition to the ethno-cultural tensions and conflicts. Translated with www.DeepL.com/Translator (free version)