Entre encenação e apropriação da cultura indígena uma análise do Boi-Bumbá de Parintins

Abstract

The present research aims to contribute significantly to future studies and those dedicated to cattle studies. The work presented here aims to raise questions about the Folkloric Festival of Parintins and discuss how the representations presented by the oxen in the Bumbódromo arena materialize. Its purpose is to raise questions about the history of the festival and its trajectory until the present stage, to highlight the indigenous context presented by the oxen on the nights of presentation and to create dialogues about the process of creating the items that represent the indigenous universe establishing conversations and questions that touch us to think about the recreation presented by the oxen. Through the discussion about the first ox games, the city of Parintins, the toadas, the plastic representation, the allegorical making and the process of production of the clothes, this study allows a broad vision of the artistic and creative universe of the bumbás for being written by a connoisseur and experience the artistic materialization inside the Sheds and HQs.