Mestrado em Ciências Humanas - PPGICH

URI permanente para esta coleçãohttps://ri.uea.edu.br/handle/riuea/6941

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A tela encantada: filmes de visagens e a reinvenção das narrativas orais no cinema popular de Tefé
(Universidade do Estado do Amazonas, 2017-09-15) Silva, Eliane Góis da; Costa, Veronica Prudente; Costa, Veronica Prudente; Enne, Ana Lúcia Silva; Wankler, Cátia Monteiro
ABSTRACT This dissertation is an ethnographic study of the popular film group known as Associação Fogo Consumidor, which operates in the city of Tefé (AM) for 11 years. This group is independent and produces films from the stories told by narrators of the region, usually their own parents and grandparents. The research seeks to understand how the storytelling is being reinvented in movie language, in a context in which orality has been weakened by the communication technologies. The research was built around the following problem: is it possible to reconstruct the visibility of oral histories through the cinema? In order to reflect about this question we were based upon the following authors: Paul Ricoeur (1994), Walter Benjamin (1994), Stuart Hall (2003), Mircea Eliade (2016), Michael Pollak (1989), Eduardo Galvão (1976), Tzvetan Todorov (2010), Wim Wenders (2013), Edgar Morin (2011) and Jean-Claude Bernardet (2006). In chapter 1 we discuss the theories that conceptualize the narrative and show the necessity of its cultivation by the people. We talk about industrial cinema, show how it negatively affects the minds of oppressed people, and then we approach popular cinema and reflect on how it can free the imagination and make visible those subalternized by the hegemonic culture. Chapter 2 presents the history of the Fogo Consumidor group, summaries of life histories of six members of the group and also reports of experience of their performance in this cinema. In chapter 3 we show the stories and narrators that are a reference for Tefé's popular cinema, and we analyze how these stories are being decriminalized and at the same time resisting. Chapter 4 reflects on how the oral histories are reinvented in movie language by the group Fogo Consumidor, and how the group organizes itself to make the films. The work demonstrates that the overshadow of storytelling is not occurring by the existence of communication technologies, but as a result of the way in which these tools are being used. On the other hand, we realized that between oral narrative and popular cinema there is an important dialogue that can decolonize and cultivate cultures, wisdoms and reflections. Keywords: oral narrative; popular cinema; resistance; decolonization; Amazon.
Para além do espetáculo: Folclore e patrimônio nos bois-bumbás de Parintins-Am
(Universidade do Estado do Amazonas, 2018-04-12) Dagnaisser, Dayanne Cristine Pires; Ferreira, Lucia Marina Puga; Ferreira , Lúcia Marina Puga; Santos, Tatiana de Lima Pedrosa; Rodrigues, Allan Soljenitsin Barreto
The city of Parintins-AM, is considered by many people "The National Capital of Boi- bumbá" due to its Folk Festival that was known nationally and internationally for having as apex the dispute between the two Bois-Bumbás Caprichoso and Garantido. However, the bois-bumbá are not only part of a show that attracts media and sponsors, they integrate local identity, especially through folklore and popular culture. And for this reason they have been going through processes of heritage by agencies of the state and federal scope. This research intends to analyze the Bois-Bumbás of Parintins, having as reference the relation between folklore and intangible heritage. And to reach this goal, the concepts of folklore, popular culture and heritage were discussed through the contextualization of the institutionalization process that involves them; the identification of the Parintins Bois-Bumbá as heritage, evidencing the safeguard of the folklore; and the verification of the perception of the social agents regarding bois- bumbás as folklore and heritage. For that, a qualitative research was carried out, through bibliographical, documentary and field research, with direct observations in Parintins, including during the Folk Festival, in addition to interviews with the social agents of the Bumbás. With this, it was possible to understand how the folklore of the Bois-Bumbás of Parintins happens to be recognized as heritage, besides being able to know the vision of the social agents of this culture on the subject.
A floresta nacional de Tefé e a universidade: lugares de construção de intelectualidades
(Universidade do Estado do Amazonas, 2018-04-25) Amaro , Cristiany Torres de Carvalho; Figueiredo, Guilherme Gitahy de; Figueiredo , Guilherme Gitahy de; Bezerra , Nelissa Peralta; Soares, Cássio Cunha
This work presents results of our research whose reflection sought to understand some ways of thinking about the practices proposed and developed in the Young Protagonists Project through articulation of the various social subjects (public servants, community youth, students and university teachers) insofar as it conceives the Project as an educational space that makes it possible to unveil possible colonizing practices in a joint effort to demystify the colonialist ideology that conceals and eludes through democratic discourses a context of immobility and resistance designed by the colonial situation. Our research is based on the perspective of the Postcolonial Studies, putting in dialogue such authors as Aimé Césaire (1978), Albert Memmi (2007), Frantz Fanon (1968), Paulo Freire (1987), Casanova (2007), Silvia R. Cusicanqui (2010), among others, which helped us to construct analysis tools in order to perceive some possibilities of mobility in a scenario of oppression, articulating the possibility of the Young Protagonists Project to contribute to a continuous and necessary action- reflection on intellectual making and possible construction of knowledge which appreciates the scientific and traditional knowledge of the Middle Solimões populations, a "Ribeirinha Science" in the attempt to surpass colonialist practices of the knowledge, of the being, of the doing.
Humor e ironia: um estudo sobre os movimentos originados no bar do armando
(Universidade do Estado do Amazonas, 2018-05-15) Nogueira, Carmen Lysia Quintino; Valle, Geraldo Jorge Tupinambá do; Valle , Geraldo Jorge Tupinambá do; Santos , Tatiana de Lima Pedrosa; Nogueira, Wilson de Souza; Mesquita , Otoni Moreira de; Rocha , Rafael Ale
Armando's Bar, located in the historic center of Manaus, gained fame in the late 1970s when it came to gather people who turned the place into a cradle of movements that critically and humorously analyzed Amazonian society. The irreverence was the trademark of the frequent group of regulars that sealed a coexistence that lasted until the first decade of the year 2000. Between one beer and another, they decided the guidelines for the tabloid "The Candiru - The newspaper of greater penetration of the Amazonas "and discussed who would be the next target of the ironic and humorous lyrics of the Armando Confraria Band Independent - BICA. Another movement, the "Gens da Selva Collective" was also born in this "piece" (Magnani, 2012), with the purpose of revealing cultural values in Amazonian music and literature. To guide our analysis we turn to the linguistic and philosophical orientations of Possenti (2000,2009). Gruda's (2015) thesis on politically incorrect humor and Freud's (1905) study of jokes contributed to the paths of this work. The historical cut of this analysis begins in 1978, when the Nossa Senhora de Nazaré grocery store became the bar founded by the Portuguese Armando Dias Soares. Our research extends until 2018 and inserts updated information about the Bar and its context in the historic Largo de São Sebastião. We also discuss the challenges of the current administrator, Ana Claudia Soeiro, daughter of Armando, in the face of situations that threaten the operation of the Bar and point to instabilities that are nothing compared to the glorious moments of Armando. We did not intend to present a rigorous study of humor in the light of discourse analysis, psychoanalysis, or to delve into the effects and meanings produced by humorous language. We believe that "explaining the joke causes it to lose its grace" (Gruda. 2015, p.14), but the theoretical presuppositions we seek lead us to the conclusion that the humorous content produced by the movements originated in the Bar do Armando reveals itself as a fertile transversal theme that contributes to the understanding of the political and social facts of Manaus and Amazonas.
A Construção de representações discursivas em publicidades turísticas sobre o Estado do Amazonas
(Universidade do Estado do Amazonas, 2018-05-26) Souza, Denise Terezinha Machado Soares de; Soares, Neiva Maria Machado; Kreutz, Elizete de Azevedo; Soares, Neiva Maria Machado; Kreutz, Elizete de Azevedo; Monteiro, Marta de Faria e Cunha; Rocha, Rafael Ale
ABSTRACT The research was developed in an interdisciplinary way with the help of Theories such as Critical Discourse Analysis (FAIRCLOUGH, 2001; 2003), Multimodality Theory (KRESS; van LEEUWEN, 1996; van LEEUWEN, 2008), correlated with Theories on Culture, Identity, Branding and Tourism. The general objective of the research was to analyze how the discursive representations in tourist publicity about Amazonas are constituted and materialized in the social and discursive practices, as well as what linguistic and discursive elements are used by the producers of the texts, that can be constituted in the naturalization and the perpetuation of certain discursive cuts. For this, the corpus is constituted of tourist publicity produced and transmitted in the sites of the Ministry of Tourism and of Amazonastur, by local travel agencies and by airline, analyzing also which aspects are privileged in the construction of the tourist image of Amazonas and which social actors are more evident. It was noticed that the Ministry of Tourism, Amazonastur, the local tourist agencies and the Airline are ally discursively, verbally and visually when constructing discourses in their majority directed to the exaltation of the natural wealth of Amazonas. In addition, the recurrent social actors are the forest, the rivers and the animals of the region. Thus, a discourse that tries to be differentiated only reinforces an idyllic and exotic character that contributes to constructing recurrent representations from the time of discovery, when the naturalistic aspect of Brazil was the main motto to attract pioneers to spaces to be explored. As one of the possible proposals, this research suggests the creation of a brand that adds all the elements representative of the Amazon that can serve as a reference and, at the same time, with a differential of a region that stands out not only for its nature, but for preservation. Keywords: Discourse. Tourism advertising. Amazonas. Representation. Branding.
Representações do Papel da Mulher no Seringal nas Narrativas Terra Caída e “Maibi”.
(Universidade do Estado do Amazonas, 2018-06-22) Souza, Denir Silva de; Costa, Veronica Prudente; Costa, Veronica Prudente; Wankler, Cátia Monteiro; Valle, Camila do
This study aims to analyze the representations of women´s role in the novel Terra Caída in dialogue with the short story "Maibi" and how gender issues were socially constructed from the point of view of culture. Specifically, we analyze the relationship of human being in contact with the rubber hostile environment, demystifying the construction of the Amazon "invented" by the colonizers. We observe how the narrators transpose in the historical and social questions, giving focus to the gender as social construction. We discuss women´s roles through a new focus, seeking to emphasize the female protagonism and to verify how these roles were built by the narrator´s discourse. As theoretical basis, we had as support Almeida (2008); Benchimol (2009); Bourdieu (2012); Butler (2016); Costa (2013); Gondim (2007); Spivak (2010); Stuart Hall (2014); Woolf (2014) and Wright Mills (1969). When we embarked on the discussion about the representations of women´s role in the context of rubber, we focused on the analysis of female characters such as Rosinha, Laura and Anália in Potyguara's work, and the character Maibi in "Maibi", both describe the rubber period in the Amazon in the mid-nineteenth century. The research sought to unveil the patriarchal, sexist and the socially constructed oppressive heritage rebuilt in the family environment and propagated through generations, which caused women invisibility besides preventing their rights. Thus, we say that women, regardless the hostility of the rubber environment, has taken actions to demonstrate empowerment and confrontation against the patriarchal order.
Festival Breves Cenas De Teatro: um evento contemporâneo em Manaus.
(Universidade do Estado do Amazonas, 2018-06-25) Virgílio, Tiziane Assunção; Santos, Eneila Almeida dos Santos; Santos, Eneila Almeida dos; Rocha, Rafael Ale; Santiago, Nereide de Oliveira
This research, which is written in the first person, is a case study on The Festival Breves Cenas de Teatro – a short scene Festival with scenes up to fifteen minutes of duration. A contemporary event, with eight editions held since 2009. This dissertation focuses on the contemporaneity of events and addresses questions about the instantaneity of time and of the time of the scene; historical, cultural and political aspects of the city of Manaus and the Brazilian state, Amazonas; academic qualification in training professionals for areas like culture, culture management, marketing strategies, and the relationships between consuming and public policies. All this is done through participant observation, interviews, bibliographic research, and statistics analysis. Introducing an overview of all Festival Breves Cenas de Teatro editions in Manaus, from its beginnings to future prospects.
O Processo de Afirmação da Identidade Étnica dos Borari de Alter do Chão-PA.
(Universidade do Estado do Amazonas, 2018-06-25) Maduro, Rossini Pereira; Cruz, Jocilene Gomes da; Cruz, Jocilene Gomes da; Rapozo, Pedro Henrique Coelho; Leal, Davi Avelino
This work had as object of analysis the process of affirmation of the ethnic identity of the Borari of Alter do Chão. It is an ethnographic study of how the construction of this identity affirmation, initiated after conflicts by the territorial possession in the year of 2003, and that includes many other elements that exceed the limits of the instrumentalist vision. The process observed among the Borari of Alter do Chão accompanied a phenomenon widely observed throughout the region of the Lower Tapajós River, where groups identify themselves as indigenous and come to claim from the state their recognition and the demarcation of their territories. The studies indicate that the process of affirming the indigenous identity of the Borari of Alter do Chão represents much more than a struggle for territorial possession, the phenomenon represents a change not only in the territorial configuration of Alter do Chão, but also in the social configuration, where it was believed in the extinction of the Borari as socio-culturally organized groups.
Muros que não separam – a arte de rua em Manaus: a identidade indígena e sua representação em murais grafitados.
(Universidade do Estado do Amazonas, 2018-07-25) Oliveira, Glaunara Mendonça de; Soares, Neiva Maria Machado; Soares, Neiva Maria Machado; Portela, Otávio Rios; Martins, Silvana Andrade
ABSTRACT The earliest human language records are in visual form and can be found on all continents caves walls. This fact reveal that representations through images painted on walls is inherent in human culture, which, by the generic concept, is attributed "The quality of the universal characteristic of all men and only of these" (BAUMAN, 2012, p 133). Therefore, there is no evidence of a pure culture, without interference from others. In this context of hybrid cultures, identities are displaced (HALL, 2015) through the ideologies propagation, which are "capable of providing the basis upon which individuals can shape a coherent identity" (EAGLETON 1997: 27). These ideologies are recognized in verbal discourses and in through multisemiotic resources, like artistic manifestations on city walls – the street art – which will be analyzed in this research. Street art redefines walls, because it brings together artists who collectively produce murals and also brings society and who are represented through this artistic manifestation, such as the indians painted on city walls, in Manaus, Amazonas. Based on these principles, it was possible, through this research, to unveil the manifest discourses in graffiti murals produced in Manaus urban spaces in which indigenous people are represented. This research purpose to critically demonstrate aspects related to these representations through the image about indigenous identity and culture also the relationship between indigenous people with the city and the environment. In order to meet this objective, four murals produced by Raí Campos and Rogério Soares were selected as corpus. As a methodology, the categories of Visual Design Grammar - VDG - were used, which defines that "visual structures do not reproduce only structures of the reality, but are linked to the interests of social institutions, and thus are ideological" (Kess, Van Leeuwen, 2006: 47), hence the need for a methodology that considers the discursive power of multisemiotic communication resources. The research was divided considering the processes of artistic production: The Outline, which is about the theoretical basis on which the analyzes are based; The Technique, in which the methodology and analytical categories used in the chosen corpus are presented; Finishing, which refers to the analyzes and data discussed; finally, The Final Art, in which the final considerations, limitations and suggestions for future research are presented. KEY WORDS: Street art. Graffiti murals. Indigenous people representations. Visual Design Grammar
O Corpo Contemporâneo dos Tikuna: política, identidade e território.
(Universidade do Estado do Amazonas, 2018-08) Souza, Madirson Francisco; Rapozo, Pedro Henrique Coelho; Rapozo, Pedro Henrique Coelho; Dantas, Alexsandro Galeno Araújo; Ferreira, Lúcia Marina Puga
The research project "The Contemporary Body of Tikuna: politics, identity and territory establish from the bibliographic review and interdisciplinary approach about the body as territory of culture. The body, in this research, is of the Tikuna ethnic group and the articulations in relation to politics, identity and territory realized through the perspective of the authors Gilles Deleuze and Félix Guattari in the work “Anti – Oedipus” when bringing the concept of body without organs to realize the critique of psychoanalysis and capitalism. The relations of the conception of the body Tikuna dialogues with the relation of the CsO of the philosophers, but, also, in dialogue with contribution of Antonin Artaud. Placing the body in suspension requires contributing and exhausting relationships between fundamental disciplines in order to understand the possibility of the body as the core of social relations, especially when the territorial machine, the construction of the State and the axiomatization of desires usurped by the capitalist process are correlated.
Corpos Antropofágicos: Supermáquina e interseccionalidades em cartoescrita de fluxos indisciplinares.
(Universidade do Estado do Amazonas, 2018-08) Silva, Mariah Rafaela Cordeiro Gonzaga da; Ferreira, Lúcia Marina Puga; Bartholomeu, Cezar Tadeu; Ferreira, Lúcia Marina Puga; Lima, Fátima; Bicalho, Pedro Paulo Gastalho de
This study aims to reflect the dynamics of forces that cross the experience all those thought during a certain time as subalterns (SPIVAK, 2010). As demonstrated on the following pages, the "subalterns" have always done more than to speak, so we understood that it was necessary an investiment to invert the notion of subalternity by devouring it. In effect, the "subalterns" were protagonists at all moments of our recent history, however their legitimacy got into a violent process that aims to subjugate their vital potency. Through the colonialism, violence - and its economic peculiarities - was spread by the world and their destructive force were leading our subjectivities; the colonial unconscious indicates that the nefarious forces still survive in us, in different ways; from rape, to racism and transphobia to starvation etc. This way, we found out there is a strong process of despontency of our subjetivitivities which forms of resistance are analyzed on this essay though the notion of anthropophagy. The colonial effect is to create death, but death isn’t dissociated at any moment of life, therefore the group of things which creates ways of existentialism goes though huge machines that connected one to another “makes” a supermachine which we named biome; life does not stop producing life, even when it produced deaths. The subjectivation processes are linked, change according to each regime of reference, but the final components do not “change”: the bodies. We believe that the body enters into gears of subjectivation and production of meaning, but the body is the body even when it is fractured. This study, however, proved to be inconclusive, not because of a lack of resources or epistemological material, but fundamentally because life never concludes, it always opens up.
“Grupo Cultural Encanto do Quilombo”: uma etnografia da prática musical.
(Universidade do Estado do Amazonas, 2018-08-02) Farias, Marcos Alan Costa; Mesquita, Bernardo Thiago Paiva; Mesquita, Bernardo Thiago Paiva; Almeida, Alfredo Wagner Berno de; Bitter, Daniel
This dissertation focuses on reflections on the musical practice of the “Encanto do Quilombo Cultural Group.” The group is composed of musicians who define themselves as quilombolas of Jauari, which is located along the Erepecuru River in the municipality of Oriximiná, Pará. This work results from fieldwork conducted at intervals between 2016 and 2018 that sought, by means of orality, to discuss elements relating to current musical practices. These elements include narratives of escape and the group’s organizational form, as well as knowledge and actions that consolidate and reaffirm ethnic identity. Thus, I researched the group's musical practice from an ethnomusicological perspective. In this way, it was possible to describe and analyze these quilombolas’ relationship with aspects surrounding the practice. In general, this work sought to reflect on music as a product of social relations among the quilombolas of Jauari. Ethnographically, it was possible to understand how music is re-signified. According to social agents, one of the main reasons for which the music is as it is today is based on the continuity of past musical practices; however, this does not mean that their music is a residue of the past. Music, as well as other practices, are present in their social memory and undergo a process of re-signification when new elements are inserted into the context. Therefore, this is a study of how music is contemplated, produced and practiced in Jauari and other places in which the group establishes relations.
Vozes da Descolonização: narrativas de ex-alunos do centro de estudos superiores de Tefé da Universidade do Estado do Amazonas (CEST-UEA).
(Universidade do Estado do Amazonas, 2018-08-11) Lima, Felipe Ramos de; Figueiredo, Guilherme de Gitahy de; Figueiredo, Guilherme Gitahy de; Silveira, Cristiane da; Almeida, Doriedson Alves de
This work has as main proposal to analyze the dialogue between the Western knowledge declared officially by the University and the knowledge historically constructed from the narratives of alumnus of the CEST / UEA. The analysis was anchored from the tradition of postcolonial thought. The research adopted a methodological strategy that combined oral history and ethnography. As oral history, we favored the adoption of narratives from the life histories of CEST / UEA alumni, and in the ethnographic aspect we trained our eyes towards the "estrangement of the family" (VELHO, 1979). In this sense, the analysis of the narratives allow us to see productions that are being developed by the subjects of this research that has enabled the participation, the interaction and the production of a knowledge where different actors participate. We have also observed how this production of knowledge has emerged from different non-traditional spaces of knowledge and also from the problematic of the contexts in which they are situated. These reflections about knowledge as well as on the University in Tefé have been fundamental for the construction and contribution of an autonomous and decolonized knowledge.
Memória biocultural e sua articulação com os saberes escolares na Aldeia Nova Esperança, Manaus-AM.
(Universidade do Estado do Amazonas, 2018-08-15) Colares, Peterson Medeiros; de Jesus, Edilza Laray; de Jesus, Edilza Laray; Rapozo, Pedro Henrique Coelho; Araújo, Nelcioney José de Souza
ABSTRACT This work aims to study, from the perspective of the Biocultural Memory, the confluence between the scientific and traditional knowledge in the Puranga Pisasú School and how they reaffirm the identity of the baré people of Aldeia Nova Esperança, Manaus, Amazonas. It has its theoretical foundation backed by Toledo and Barrera-Bassols (2010, 2015) Foucault (1996, 1999, 2005, 2008), Bauman (2001, 2005), Hall (2003, 2005), Vasconcellos (2002), Meliá (1999) and others, to understand the debate about the production, circulation and validation of knowledge, the social status of scientific knowledge and its influence on the colonizing process of indigenous cultures, and the concept of Biocultural Memory as a variety of complex systems of knowledge and practices of subject-nature relationship that are established and updated from human composition to ecosystems over time. The research was characterized as a case study, with a qualitative-quantitative approach, using bibliographic and documentary research techniques, semi-structured interviews and direct observation. The results show that the school-community articulation around a work project, based on Project Pedagogy, has allowed to articulate, although in an incipient form, the contents of the formal curriculum with knowledge of the traditional culture, especially its symbolic and ritual aspects, contributing effectively to the resumption of customs and practices of baré culture in that community. . Key words. Biocultural Memory. Traditional Knowledge. Indigenous School Education.
As Políticas de Ações Afirmativas e as Trajetórias de Alunos Indígenas no Centro De Estudos Superiores de Tefé da Universidade do Estado Do Amazonas (2005-2018).
(Universidade do Estado do Amazonas, 2018-08-15) França, Filipe Frota de; Silveira , Cristiane da; Silveira , Cristiane da; Machado, Ananda; Vieira, Paulo Alberto dos Santos
This work aims to analyze the relationship between affirmative action policy and the trajectory of the indigenous students at the Center for High Education of Tefe - CEST, at the University of the State of Amazonas - UEA in the period 2005-2018. The theoretical basis was based on Carvalho (2014), Alberti (2005), Estácio (2014), Amaral (2010), Hall (1992), Cuche (1999) among others. The methodological path was based on the qualitative and quantitative approach, using the oral history method to conduct the interviews, the type of research was bibliographical, documentary and field. The results reveal the marginal place imposed on indigenous in the construction of the Brazilian nation. The trajectory and challenges faced by indigenous in completing basic education and entering high education. The importance of indigenous quotas in the CEST-UEA, as well as the need to rethink the ways of entering ethnic groups in the university and the implementation of specific residence policies, which help the quota holders to complete the graduation based on respect and appreciation culture and identity of these subjects. Finally, the research shows the prejudice, discrimination and racism experienced by indigenous in high education and how they react to this scenario, rebuilding and resignifying their identities.
O Beiradão está em festa: A obra musical de Teixeira de Manaus nos anos 80 e sua influência junto às festas de beiradão
(Universidade do Estado do Amazonas, 2018-08-20) Teixeira , Darle Silva; Mesquita, Bernardo Thiago Paiva; Mesquita, Bernardo Thiago Paiva; Santos, Nilton Silva dos; Rocha, Rafael Ale
This research brings the musicality of the 80's by the representation of the sax soloist Teixeira de Manaus. Studying the memory of the festivals of / in the "beiradão", relating the parties to themes such as multiculturalism, globalization and diversity from the musical work of the saxophonist in this temporal cut is the purpose of the study. Through documentary analysis and interviews with the artist and other actors involved in these events and places, the methodological route was made. In three moments the study divided: the first part revives how it was to Manaus in this temporal cut. It shows, briefly, the national and local economy, especially considering the Free Zone of Manaus, as a generator of jobs in a moment of hyperinflation and recession in Brazil. The Industrial Pole increased the migratory process to the region, mainly in the Northeast of Brazil. Like all migration, there will be processes of encounters, exchanges and cultural hybridity. It is also worth mentioning the Amazonian Popular Music - MPA as, perhaps the sound aesthetics of the place in counterpoint with the music of Teixeira de Manaus. In sequence, we have the parties inside and in the city where the soloist was and the reconfigurations of these territories for the moment of leisure. It is added to the research if there would be a rhythm called "Beiradão", since it is already used as such by contemporaneous artists who evoke Teixeira de Manaus as a musician who legitimizes this musical genre as a representation of the State. Finally, the work of the instrumentalist is told through his musical trajectory. The invitation, the consecrator, the invention of solos with small refrains and the recording industry were the way to the formation and success of the artist. The research brings to the academy the music of another Brazil that does not appear in the literatures, but that was present in the 80's and that, today, is in re-reading by the singers and bands of the Amazon.
“Nossa sala de aula será o Médio Solimões”: A aprendizagem no contexto do Centro Vocacional Tecnológico – Tecnologias Sociais da Amazônia
(Universidade do Estado do Amazonas, 2018-08-22) Martins, Eliomara Ramos; Bezerra, Nelissa Peralta; Bezerra, Nelissa Peralta; Rabelo, Ana Maria Gomes; Machado, Rita de Cássia Fraga
This research aimed to analyze learning processes at the Technological Vocational Center - Amazonian Social Technologies (CVT-TSA) of the Mamirauá Institute for Sustainable Development (IDSM), headquartered in Tefé, AM. In order to describe and analyze learning process, the situated learning theoretical approach was used (LAVE and WENGER, 1991), as well as the understanding of education of attention (INGOLD, 2010). Theories that allowed us to see the diversity and complexity of existing learning processes. The study approaches learning as a social practice, and not as an individual and psychological phenomenon, that is, the approach considers participation and learning as inseparable and closely related (LAVE, 1996). Research methodology include a qualitative approach, using ethnographic research. Data collection instruments used were participant observation, documentary research and semi-structured interviews. Thereby it was possible to unveil that learning in the context of the CVT/TSA was based on several pedagogical events in which students were able to act as protagonists of their learning. Participation in decision-making indicate that the first group of students (class 2014-2015), the CVT proposed to follow a course towards a differentiated education, this trajectory went through several moments of difficulties, revealing that any agent or institution that proposes to work with an education that truly promotes the autonomy of the subjects faces great challenges.
Cartografia do expressionismo na literatura de língua portuguesa
(Universidade do Estado do Amazonas, 2018-08-24) Gomes, Alexandre Rodrigues; Portela, Otávio Rios; Portela, Otávio Rios; Soares, Neiva Maria Machado; Ipiranga, Sarah Diva da Silva
ABSTRACT The theme of this research explores inter-art studies, relating literature, theater and cinema in order to investigate examples of Expressionist aesthetics in literature written in Portuguese language, based on the critical study of two plays by the Portuguese writer Raul Brandão (1867-1930): O Gebo e a Sombra (1923) and O Avejão: EpisódioDramático (1929), and two plays by the Brazilian writer Nelson Rodrigues (1912-1980): Vestido de Noiva (1943) and Valsa no6 (1951). Additionally, the impact of Expressionist aesthetics on film art from the 1920s to the early 21st century will be also be explored beased on such theorists as Roger Cardinal, R.S. Furness and Lotte H. Eisner. Finelly, approaching Raul Brandão's theater, this research will also feature the reflections of such scholars as VítorViçoso, Eduardo Lourenço and Otto Maria Carpeaux, as well as several other whose articles on the Portuguese writer were collected and organized in a book by Otávio Rios Portela. As for Nelson Rodrigues's dramaturgy, besides SábatoMagaldi's studies, Eudinyr Fraga's findings on Expressionist resources in work of Rodrigues will be fundamentally important. Although Expressionism is the axis that crosses and guides this research, other topics equally relevant to the understanding of work and thinking of these two authors will also be explored. Keywords: Expressionism. Literature. Cinema. Raul Brandão. Nelson Rodrigues.
Os conhecimentos tradicionais nas práticas de manejo de pirarucu (arapaima gigas) no Médio Solimões, Amazonas
(Universidade do Estado do Amazonas, 2018-08-24) Gonçalves, Ana Cláudia Torres; Bezerra, Nelissa Peralta; Bezerra, Nelissa Peralta; Cardoso, Luis Fernando Cardoso e; Nascimento, Ana Claudeise Silva do; Steward, Angela May; Sousa, Marília De Jesus Da Silva e
This research analyzed the epistemological bases of pirarucu management, seeking to identify the traditional knowledge present, and investigating the extent to which these knowledge were scientifically recognized and subsidized the normative and management practices in force. In this sense, the course involved the description of traditional knowledge in the pirarucu fishery - in which the learning process in the fishery was evidenced, discussing the knowledge, practices and skills of a pirarucu fisherman. Followed by the description of the management practices, using as reference the management practices observed in the fishery agreement of the Paraná do Jacaré lakes complex; Finally, the social representations of pirarucu management, based on the analysis of norms and scientific publications, verifying the occurrence or not of references to the traditional knowledge, and also evidencing the perceptions of fishermen, technicians and environmental analysts on the management. The research is based on a qualitative approach, using methodological procedures such as bibliographic research; documentary research; interviews; and case study with participant observation, which subsidized the description and analysis of the pirarucu management stages that includes: mobilization and social organization, zoning of the fishing territory; the protection of the area; the survey of the pirarucu stock; fishing; monitoring production; marketing and evaluation of activities.
A Comunidade do Barranco de São Benedito em Manaus: Processos para o reconhecimento do território quilombola.
(Universidade do Estado do Amazonas, 2018-09) Rosa, Vinícius Alves da; Almeida, Alfredo Wagner Berno de; Almeida, Alfredo Wagner Berno de; Ferreira, Lúcia Marina Puga; Ranciaro, Maria Magela de Andrade
The community of Barranco de São Benedito is located in the city of Manaus, specifically in the traditional Praça 14 de Janeiro neighborhood in the Center-South Zone of the city. This quilombolaterritory has been occupied since the arrival of Dona Maria SeveraNascimento Fonseca, 128 years ago, as an emancipated slave from the municipality of Alcântara, Maranhão. As she and her family settled in this space, Dona Severa brought her ancestors’ customs and traditions along with her, which today remain alive in the memory and narratives of her descendants—who are officially recognized by the Palmares Cultural Foundation as a self-denominated urban quilombo-descendent community. As such, I defined the objective of this study as follows: to verify the political and socio-cultural developments in everyday life in the community in the context of the certification process, as well as identify the history of these social agents and the difficulties that they encountered during the process. To carry out this study, fifteen people were interviewed. These interviews serve as the foundation of this work, supported within the perspective of American philosopher Nancy Fraser’s concept of “recognition.” In completing the research, I determined that the community’s historical trajectory has led to its resilience against stigma, despite the transposition of contemporary struggles—from racial stigma to the contestation of urban space with regard to their confrontation of modern processes of urbanization and real estate speculation.