Revista Contra Corrente - Artigos de Periódicos
URI permanente para esta coleçãohttps://ri.uea.edu.br/handle/riuea/5719
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Item De Portugal a Moçambique: Glória de Sant’anna e sua poética sem fronteiras(Universidade do Estado do Amazonas, 2019-01-21) Vaz, Laís Naufel FayerThe meeting between Glória de Sant’Anna (Portuguese citizen) and Mozambique was born poetry that makes up “Amaranto”, a collection of her poems. We intend to briefly trace the path in an attempt to highlight the initial shock between cultures and, later, the encounter between the poet and the new space.Item Entre o terreiro, a infância e as vivências – o conhecimento: a poesia ecumênica de Manoel de Barros(Universidade do Estado do Amazonas, 2019-01-18) Barbara, Rodrigo Peixoto; Figueiredo, Valéria Maria Chaves deThis paper points to the objective of weaving brief words about Manoel de Barros‘s life, and to think over three possible tracks, of the many, he followed, as he invented his poetical, ecumenical garden: the sighting, the deconstruction and the metamorphosis. The poethical ecumenism of Manoel de Barros has gathered on his works several incitations, going through childhood grounds, schools were he studied, authors he read, artists he had involved with, etc, wanting an invention didacticism, that aggregated popular, traditional and modern. A poetry made by his conceived inter-relations. Therefore, this paper came from the prior contact with works and body experiences raised by this manoelês universe, that freed from rational incarceration the imagination, and from cohesion and coherence fetters, the words.Item Uma última canção para os olhos: a presença do cinema na poesia de Al Berto(Universidade do Estado do Amazonas, 2019-01-18) Cardoso, Inês PereiraPoetry produced in the 20th century frequently explored the potentialities of the image and intermediality processes, in order to produce a discourse designed to contain lyrical expression. However, the peculiarity in Al Berto’s work is precisely the duplicity of the traditions it evokes. If, on the one hand, visuality occupies a central place in his writing, on the other the confessional tone of many of his poems is indisputable. This essay focuses on the understanding of a coexistence between these two vectors, and the way in which they result in a discourse whereby cinema is directly brought into the poetic spectrum.