Produções Acadêmicas e Cientificas - UEA
URI permanente desta comunidadehttps://ri.uea.edu.br/handle/riuea/5481
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Item Criação, produção, usos e funções da Iconografia Musical(Universidade do Estado do Amazonas, 2024-09-10) Sotuyo Blanco, Pablo; da Silva Souza, Nilton; Pablo Sotuyo Blanco; Nilton da Silva SouzaThe RIdIM-Brasil (International Repertory of Musical Iconography in Brazil) is a national project focused on indexing, cataloging, researching, and disseminating Brazil's musical iconographic heritage. It holds biennial congresses in Brazil, during which the scientific community that studies the relationships between music and image presents the progress of individual and collective research projects. With the same frequency, motivated by the renewal of knowledge brought about by such exchanges, a book featuring the most relevant research by professors from national and international institutions is published after each congress. The present volume was inspired by the event held in 2023 in Maceió, Alagoas, and is therefore the result of a collaboration between UEA, through the PPGLA,UFAL and UFBA.Item Epistemologias, culturas e vozes interdisciplinares(Universidade do Estado do Amazonas, 2020) Cruz, Jocilene; Daou, Georgia Pozzetti; Puga, Lúcia Marina; Rios, Otávio; Amoêdo, Rafael Seixas de; Pedrosa, Tatiana de LimaWith this collection, which received the title Epistemologies, Cultures and Interdisciplinary Voices, the Interdisciplinary Postgraduate Program in Human Sciences (PPGICH) of the State University of Amazonas (UEA) advances in consolidating its editorial project, whose essential objectives are : systematically disseminate their research work highlighting themes and theoretical and methodological approaches; provide its professors and researchers with the opportunity to publish, sometimes firsthand, studies that are in full swing; contribute to strengthening and expanding the dialogue with other editorial programs from different research institutions in the Amazon region and the country. The series of essays gathered in this volume reflect and express as a whole the different theoretical and thematic paths pointed out in its three parts, corresponding to the three lines of research maintained by our PPGICH-UEA. The texts we are publishing now result from the participation in V Transfronteiras, promoted by this Program between October 21 and 23, 2020. In a year devastated by the Covid-19 pandemic, we collectively faced the challenge of keeping a fully functioning Graduate Program that is not only interdisciplinary, but also multicampi since its inception. In an unprecedented way, the V Transfronteiras, whose theme "Epistemologies, Cultures and Interdisciplinary Voices" gives the title to this volume, was carried out completely remotely, making use of various Information and Communication Technologies (ICT) - Youtube, Google Meet, Zoom, Google Drive, among others – with which we have become more intimate this last year. These technologies, if, on the one hand, separated us physically, on the other, they allowed the PPGICH centers based in Manaus and Tefé to be closer and closer. The themes explored and analyzed by authors from different backgrounds and intellectual interests constitute an evident contribution towards consolidating and strengthening the interdisciplinary nature of our PPGICH, which has already been taking place throughout the development of the various activities of the Program by offering disciplines, organization of seminars and production of research aimed at conducting dissertations, all these initiatives contributing to its interdisciplinarity.Item Amazônia: história, conflitos e memória(Universidade do Estado do Amazonas, 2020) Pinto, Ernesto Renan Freitas; Puga, Lucia Marina; Pedrosa, Tatiana de LimaWith this collection of articles and essays gathered in the form of a book, the Interdisciplinary Postgraduate Program in Human Sciences, the PPGICH of the State University of Amazonas, reaffirms the nature and interdisciplinary sense that encourages its authors to exercise development its themes, interweaving different areas of knowledge, handling different methodological and epistemological approaches. When choosing the title, we had in mind the close relationship between the history of the Amazon region, chronically marked by conflicts of different natures, ranging from territorial disputes throughout the colonial period with the countries with which it borders and extending up to the present, where the conflicts inherent in the processes arising from internal colonialism are at stake. Internal colonialism is materialized in a wide variety of processes, which spread from the permanent and historical reduction of indigenous lands and the resulting genocidal processes and the displacement of geographical and cultural borders of indigenous peoples in their different degrees of contact and coexistence with the Brazilian population. The Amazon, especially after the growing implementation of postgraduate courses in public universities - federal and state - has been systematically developing studies and research inspired by the most distinct theoretical approaches that consistently circulate in the horizon of these courses, carrying out a real revolution within the scope of historiography produced here. In other words, what we notice in these studies and researches is that their authors have been motivated to promote a radical revision of their epistemological foundations that reach, since the pre-Columbian history of this part of South America, the ethno-history of the indigenous peoples and their modest advances, until history Amazon: History, Conflicts and Contemporary Memory in which the presence of indigenous peoples comes equally enlarging its meaning. On the other hand, the emergence of new archaeological studies has witnessed that there are no demographic gaps in the Amazon along its wide fluvial network and that the remains that have been found and interpreted point to the existence of populations more than 10,000 years ago. Likewise, the The recovery of their cultures within the scope of their immaterial consistency has provided evidence of a wide variety of oral traditions that constitute manifestations of their history yet to be unveiled and recognized. The clearest evidence of these processes of orality and immateriality that has been gaining The written and audiovisual dimension is the growing production of works by indigenous authors, many of which are also expressed through the visual and plastic arts.