Cartografia do expressionismo na literatura de língua portuguesa
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Universidade do Estado do Amazonas
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ABSTRACT
The theme of this research explores inter-art studies, relating literature, theater and cinema in
order to investigate examples of Expressionist aesthetics in literature written in Portuguese
language, based on the critical study of two plays by the Portuguese writer Raul Brandão
(1867-1930): O Gebo e a Sombra (1923) and O Avejão: EpisódioDramático (1929), and two
plays by the Brazilian writer Nelson Rodrigues (1912-1980): Vestido de Noiva (1943) and
Valsa no6 (1951). Additionally, the impact of Expressionist aesthetics on film art from the
1920s to the early 21st century will be also be explored beased on such theorists as Roger
Cardinal, R.S. Furness and Lotte H. Eisner. Finelly, approaching Raul Brandão's theater, this
research will also feature the reflections of such scholars as VítorViçoso, Eduardo Lourenço
and Otto Maria Carpeaux, as well as several other whose articles on the Portuguese writer
were collected and organized in a book by Otávio Rios Portela. As for Nelson Rodrigues's
dramaturgy, besides SábatoMagaldi's studies, Eudinyr Fraga's findings on Expressionist
resources in work of Rodrigues will be fundamentally important. Although Expressionism is
the axis that crosses and guides this research, other topics equally relevant to the
understanding of work and thinking of these two authors will also be explored.
Keywords: Expressionism. Literature. Cinema. Raul Brandão. Nelson Rodrigues.