No compasso da cena: estudos da dramaturgia melódica

Abstract

This article aims to raise reflections and record experience about scenic constructions through a musical bias, thinking about rhythm, time, timbre, silences and sounds, and how these concepts may or may not help us in scenic making. For that, I use as my research object the show Pacatuba, of my own authorship and that carries an ethnographic content for portraying the city in which I grew up through my memories and experiences there.