Pingo e a reflexão sobre a corporeidade clownesca a partir do manto de arlequim de David Le Breton

Abstract

This research attempts to establish a dialogue between the clownish corporeality and the idea of the modern subject and the perspectives that make it an individualized. For this, it was necessary to dive into bibliographic references, Fernando Bolognesi, Alice Viveiros, Stuart Hall, David Le Breton, among others, validating my own experience as clown Pingo, since 2017 characterizing an autoetnographic research. However, the relationship of the Pingo clown through the analysis of each topic proposed to the reader as a subject of study for the better understanding of the modern subject that immerses in clownish art will show us the reflection of this corporeal construction.