Quando ninguém pode amanhã, escrever liberta: memórias e representatividade

Abstract

This article has the purposes of bring up gender questions that contextualize the women invisibility in dramatics writing,by an autoetnography, post-colonial feminist studies and work of four compositions that I wrote while studying at Universidade do Estado do Amazonas Bachelors in dramatics, as an self-observation about the representativiness of the women that write dramatics in Manaus Key words: Gender, women, dramarturgy, autoethnopraphy, representativiness, Manaus