Considerações sobre escolhas de arcadas, região de arco e dinâmicas: compassos 42-56 do 1° movimento do concerto do No° 4 para violino em ré maior e W.a Mozart, por vencedores do Menuhin.

Abstract

This study aims to elucidate and highlight diverse nuances of performances through an interpretative analysis of the first movement of Wolfgang Amadeus Mozart's Concerto No. 4 in D Major, based on presentations by winners of the Menuhin Competition in their respective years. The literature review presents analytical criteria related to bowing techniques, articulation, and dynamics in specific passages.

Mozart's violin concertos notably stand out for their stylistic complexity, showcasing exceptional technical mastery and a profound understanding of the expressive and idiomatic characteristics of the instrument. This comparative analysis seeks to meticulously explore both the intrinsic similarities and divergences in the performance choices of laureates in the Menuhin Violin Competition. By considering both the technical-musical aspects and the interpretative nuances of the winners, the aim is to discern distinctive elements that led to their achievements in this highly esteemed competitive arena. In summary, this research reveals diverse possibilities regarding the interpretations of the winners, subtly expanding the cognitive understanding for the execution of Concerto No. 4, KV218.