O Tao no corpo do ator a trajetória do processo de criação do espetáculo “rudmentar”

Abstract

This research presents the course of an investigation that involves kung-fu and body preparation for scene artists, having as a source of research and scenic composition the manual work of the porters of the port of Manaus, and the methodologies used include the critique of creative processes where I will describe and present the way in which the show came to fruition until the moment of its completion, for that, I will use the book Gesture Unfinished by Cecília Almeida Salles, and the autoethnography research starting from my experience as an artist of the scene having as reference Sylvie Fortain 2006 ,2014. As well as Éden Perreta studying the figure of Tatsumi Hijikata 2015, Yoshi Oida 2012 and Al Chung-liang Huang 1979, the objective is not only to dialogue with the artistic context, but also with the reality of the porters, contextualizing the work of the artists of the scene in relation to the society in which they are inserted.