Uma análise da construção de cenas performativas realizadas para o espetáculo “nado sincronizado”.

Abstract

This research aims to record and analyze the process of constructing performative scenes in the stage production “Nado Sincronizado”. This is an autobiographical qualitative research methodology, which uses the researcher's own life and experiences. The study of the relationship between theater and themes that explore interpersonal and affective relationships is essential to understanding this production. As a theoretical reference, the work of Erika Fischer-Lichte will be used, a renowned researcher who investigates theater from the perspective of phenomenology and the experience of the spectator. Her reflections on the ephemeral and participatory nature of theater, as well as on the interaction between the performer's body and the stage space, offer a fundamental basis for understanding the specificities of this performative practice. Based on the creative process, I intend to contextualize the theme, identify gaps in knowledge and present her contributions on the ephemeral and participatory nature of theater, as well as her reflections on the relationship between the performer's body and the stage space, which will offer essential theoretical support for understanding the specificities of the production.