Relato Existência sobre a palhaça Lola no Contexto Manauara e o feminismo Negro como ponto de partida no espetáculo Preciso Falar

Abstract

The present work describes and analyzes the construction of the show Preciso Falar, (2019) scenic assembly process of the course completion subject BA in Theater from the State University of Amazonas ESAT-UEA. THE Preciso Falar process addresses the loneliness of black women as the main theme through my own experiences rescued for the dramaturgical construction. The work seeks female clowning and autobiography as language. Are used as methods, the criticism of creative processes, proposed by Cecília Almeida Salles (2011) and the self-ethnography in which I use Sylvie Fortin (2009) as base. It should be noted here, that the greatest engagement for this work, part of the scientific initiation, which is the place of discovery for Maria Eliza Alves dos Reis and her Xamego clown, which, as far as is recorded, is the first black clown in Brazil1 , inserted in the context of the 1940s, at a time when clowning was not thought to be exercised by the woman, neither the black woman. This job investigates the dramaturgy of the clown through experiences based on the feminine and the blackness. Keywords: Female Clowning, Black Feminism, Autobiography, Clown Shaman.