Sobre a adorável sensação de sermos inúteis : os teatros do real como disparadores poéticos na cena do Ateliê 23

Abstract

The present work intends to reflect on the theaters of the real as poetic triggers in the scene constructed by Ateliê 23 in the work On the lovely sensation of being useless, a spectacle that currently enables the movement creative within the company. The intention is to be able to present the concepts behind this epistemological "umbrella" in dialogue with authors such as Saison (1998), Fernandes (2015), Rancière (2010) and Féral (2015), among others, in order to reflect the experience to reflect the experience that has been constructed and points to the show under investigation. The methodological design is based on the critique of creative processes, Salles (1998), and in the autoetnographic research, Gallo (2012) and Fortin (2009), with techniques of observation and analysis of the author's logbook in search of fundamental theoretical supports for the search. Key words: theaters of the real, critique of creative processes, autoethnography.