Das beiradas ao beiradão: a música dos trabalhadores migrantes no Amazonas

Abstract

Currently, what is called “music from the edge” is a phonographic production from the 80's resulting from a period of accentuation of the dependent character of the capitalist industry of music in Brazil. As a result of migratory flows reinforced by the industrial pole and Free Zone of Manaus. It is a production that inherits from the music of the 19th century and, at the same time, is connected with foreign genres disseminated in the context of the movement managed from capital to the region, an integrative process from the region to the movement of accumulation of monopoly capital.