Análise do processo de produção e criação do espetáculo "em nome da familia".

Abstract

This article analyzes the creative and production process of the theatrical play "Em Nome da Família", inspired by Eugene O'Neill's "Long Day's Journey Into Night". Originally conceived as an academic activity, the play evolved into an independent production with its own narrative, addressing themes such as alcoholism, sexism, and family conflicts. The research explores realist and naturalist theater, drawing on authors such as Stanislavski, Spolin, and Mantovani. It details the challenges faced during the directing process, cast changes, and technical limitations, as well as the use of scenic elements like costumes, sound design, and lighting, which enriched the theatrical experience. The final production reflects a synthesis of academic practices and the pursuit of accessible and reflective theater that connects with the audience through universal themes.