A recepção dos pontos de ônibus de Manaus como espaço cênico nas cenas: As Namoradas Mineiras e Fulana do Grupo Drummond na Parada

Abstract

This article aims to present the experience reports of the Drummond na Parada Group from Manaus, which has the principle of taking scenic montages of poems by Carlos Drummond de Andrade in the city’s center bus stop. This research will bring reflexions to the social role of the group when as it proposes to make the unconventional use of space and reports of adaptation and reception of the public based on the scenes: As Namoradas Mineiras and Fulana.