Os rastros do processo de criação da performance “BR 230” e o treinamento corpo-voz para a videoperformance

Abstract

The following work seeks to establish records of the creation process of the performance “BR 230” put as an object of artistic analysis in order to propose reflections on physical-vocal training for video performance and theatricality present in the aesthetics and audiovisual conception of the aforementioned work. The artist's body in restlessness based on personal stories that enable the dialogue with the environment in which it is inserted evokes in the musical narrative: memories. Structured in repetition sequences with emphasis on melody, rhythm and harmony. Furthermore, the research brings as a methodology the critique of creative processes and the autoethnography in order to organize artistic experiences along the way. Thus, this research aims to reflect the path of dissemination of the final artistic work in the virtual environment that requires the artist to have a multidisciplinary approach throughout the course of the constitution of the performance.