Música-relato o real nas composições do espetáculo Culto das Primícias

Abstract

The present research aims to record the process of the musical compositions present in the scenic montage “Culto das Primícias”. This record is based on Cecília Salles' critique of creative processes, which constructs the analysis of the path in favor of creation, without necessarily aiming at an end, and thus, visualizing the creative transformation. Performative research (Haseman, 2006) as a methodology, it comes to an encounter in the investigation of the soundtrack that is born from the contact with personal accounts and the dialogue between the theater of the real through ethnography and autoethnography (Fortin, 2010). In order to think of musical compositions as devices that intend to affect the spectator in order to affect the real established in the theatrical proposal, the importance of analyzing musicality is highlighted not as an instrument of distancing the public from enjoyment, but as a path of approximation of the sensitive debate of the representation of life.