Análise tópico-esquemática do primeiro movimento do concerto para trompete e orquestra em mi bemol maior de Joseph Haydn (1732-1809)

Abstract

The aim of this article is a schematic topical analysis of the first movement of Joseph Haydn's trumpet concerto. Using the methodology of topics theorized by Leonart Ratner and Robert Gjerdingen's counterpoint schemes present in the music of the 18th and 19th centuries, it is intended to provide a better understanding of the work in its structural and compositional scopes, contributing to a more prudent interpretation of the concerto.