Revista Contra Corrente - Artigos de Periódicos
URI permanente para esta coleçãohttps://ri.uea.edu.br/handle/riuea/5719
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Item Diferentes olhares para a análise do discurso crítica e sua vertente sociocognitiva(Universidade do Estado do Amazonas, 2019-01-21) Silveira, Regina Célia Pagliuchi daThis text deals with Critical Discourse Analysis (ADC), based on the multiple perspectives of its aspects, with the objective of situating the sociocognitive aspect and its main contributions to the critical approach, since it is the least known in Brazil. Thus, a quick look at the origins of the ADC will be passed, to substantiate its main characteristics and aspects and, by way of example, a critical analysis of machismo in Brazil, from the intersection of its multiple looks. Keywords: Sociocognitive; Linguistics; Society.Item A representação do negro no regime escravocrata brasileiro em texto multimodal(Universidade do Estado do Amazonas, 2019-01-21) Barros, Adelson Florêncio de; Silveira, Regina Célia Pagliuchi daThis work is situated in the Critical Discourse Analysis with the theme argumentative strategies used in the representation of the black in the Brazilian slave regime in multimodal text, aiming to: examine, in the multimodal composition, forms of dissemination of the ideology, established by the power, through a cover of History in Focus magazine. Research is justified because in postmodernity there is a privilege of multimodal texts, which require critical studies focused on discursive interactions. This paper presents partial results of a broader research on the social roles, in language, of slaves and their masters from Casa-Grande & Senzala. The theoretical guiding principles of the research are: 1. Critical Discourse Analysis with sociocognitive (van DIJK: 1997); Social (FAIRCLOUGH, 2001 & THOMPSON, 2011) and 2. Critical Discourse Analysis with a socio-semiotic perspective (Kess and van Leeuwen, 2001). The material analyzed was collected from one of the covers of this magazine, having as its base text a canvas by the artist Jean-Baptiste Debret, entitled "O dinner". The results obtained so far indicate that: 1. Blacks are represented as "things" and in this condition are inserted in the route of injustice and treated from social inequality; 2. The images and colors complement the verbal in the multimodal composition of the black representation and its social role; 3. The representation of the Negro in Debret's image, entitled Dinner, is a relation of exploration and subservience becoming evident, through the composition of verbal and visual, his social role in that period shows social inequality. Keywords: Semiotics; Slavery; Society