Teatralidades do real e ficção: os elementos autobiográficos na montagem cênica “O que acontece no final?”

Abstract

This research aims to detail and reflect on the process of creating the play "O que acontece no final?" that occurred during the scenic montage class I and lI of the course of completion of Bachelor's degree in Theater at the State University of Amazonas. The play mixes the real with the non-real from autobiographical creation movements that put on stage experiences, traumas and reports from the artists/performers themselves stripped of characters, but still contrasting with the fictional content of the play's personas. The research starts from the beginning of the scenic montage and the creation of a final course play and how the artists/performers ended up bumping into autobiography, and then, making use of it on stage merging it with fiction and, after that, how the process of scene creation happened through the challenge of inserting real accounts in the play. Finally, I will address the performativity of the narrative that is in a place of constant movement because it contains autobiographical accounts. I will use as research methodology the concepts of Cecilia SALLES' critique of creative processes, and Sylvie FORTIN's concept of autoethnographic research, putting myself in evidence when talking about my own experiences and my own creative process. To talk about autobiographies I anchor myself in Janaina LEITE's research, and to talk about performance I use Josette FÉRAL's concepts.