Figurino e criação de sentidos para o espetáculo entorpecer: uma 'escrevivência'

Abstract

This study encompasses the discussions and exchanges of experiences within a cooperative creation, focusing on the construction of signs through the costume element for the show “Entorpecer”, with the main objective of understanding this process of cooperative creation of costumes for the construction of the work, which was requested by the disciplines of the seventh period, being these Classical Dance VI and Contemporary Studies of the Body VI, and which in a way involves and permeates other disciplines such as Choreographic Processes, Composition, these are part of the curriculum of the bachelor's degree in dance. It also aims to give voice to academics who have been in contact with this topic. In the same way that we will contextualize the concept of collective creation and the implications that these means of creation involves, the historicity and importance of the costume for the scene, it is proposed to present the chosen form for analysis and discussion of the collected data, called “Escrevivência” by Conceição Evaristo, based on the non-hierarchization of voices. And based on interviews with the academics participating in the research, based on a semi-structured script of questions, being flexible to the needs of questions that instigate the delivery knowledge and through notes made in a field diary during the process, to bring a discussion and comparison about the perspectives of each academic within the work, how their experiences collaborated for the construction of their conceptions about what makes the costume design, following a different way of doing this element, and thus, promoting the development of the artist as a whole, enabling the sensitivity of creating the scenic element figurine that carries so much significance.