Atuação do indígena licenciado em dança pela ESAT- UEA no componente artes na educação básica
dc.contributor.advisor | Ribeiro, Socorro de Nóbrega | |
dc.contributor.author | Felizola, Lamon Alves | |
dc.contributor.referee | Passos, Yara dos Santos | |
dc.contributor.referee | Vaz, Anaclei Folhada | |
dc.date.accessioned | 2024-11-05T14:06:41Z | |
dc.date.issued | 2024-02-21 | |
dc.description.abstract | The scarcity of jobs and competitions for indigenous teachers to work in the education segment at different levels of training and the existence of Law 11,645 of March 11, 2008, which deals with the mandatory teaching of Afro-Brazilian and indigenous history and culture in public basic education and private sector raised the objective of the research: to investigate the performance of indigenous people with a degree in dance from ESAT-UEA as a teacher of the arts component within the scope of dance in basic education between 2016 and 2023. The study is an applied, exploratory research- descriptive, documentary and survey with a quantitative-qualitative approach. As interlocutors, we elected six adult subjects of both sexes, with an average age of twenty-six years, dance professionals, graduated from the School of Arts and Tourism (ESAT) of the State University of Amazonas (UEA) in the period from 2016 to 2023, where one of these declared himself indigenous. As instruments we used a semi- structured questionnaire with personal data and questions and an interview guide. The data collection process involved the participants who made up the sample as follows: we contacted each of those who made up the list made available by ESAT via WhatsApp and carried out the procedure virtually. After data analysis, the study revealed a series of issues related to the presence and appreciation of indigenous culture in the Brazilian educational context, especially in the field of Art Education. The exhibition gathered data covering seven years and with great difficulty we identified only one professional who declared himself a licensed indigenous person, which demonstrates the hypothesis raised previously, highlighting the existence of a significant gap in the representation of this population working in Education at different levels, also highlighting the mismatch between the obligation of the Law and the commitment of public policies regarding the placement of indigenous professionals to comply with what Law 11,645 recommends, which is to take their history and culture told as it legitimately is to the academic debate. We conclude from this that, even if there is demand, after all indigenous families are in urban perimeters, there is no admission to the job market and, the laws alone do not express meanings, it would be necessary to have a Government Program linked to Higher Education Institutions that invested in placement of these in public education networks and/or bilingual and indigenous schools. Given these reflections, the need for more effective public policies and a structural change in the Brazilian Educational System, aimed at indigenous peoples, becomes evident. | |
dc.description.resumo | A escassez de emprego e concursos para professores indígenas atuarem no segmento da educação nos diferentes níveis de formação e a existência da Lei 11.645 de 11de março de 2008 que trata da obrigatoriedade do ensino de história e cultura afro-brasileira e indígena na educação básica pública e privada suscitou o objetivo da pesquisa: investigar a atuação do indígena licenciado em dança pela ESAT-UEA como professor do componente artes no âmbito da dança na educação básica entre 2016 e 2023. O estudo trata-se de uma pesquisa do tipo aplicada, exploratória-descritiva, documental e de levantamento com abordagem quanti-qualitativa. Como interlocutores, elegemos seis sujeitos adultos de ambos os sexos, com idade média de vinte e seis anos, profissionais da dança, licenciados pela Escola Superior de Artes e Turismo (ESAT) da Universidade do Estado do Amazonas (UEA) no período de 2016 a 2023, onde um destes se autodeclarou indígena. Como instrumentos utilizamos um questionário semiestruturado com os dados pessoais e perguntas e um guia de entrevista. O processo de coleta de dados envolveu os participantes que compuseram a amostra da seguinte forma: contatamos via WhatsApp com cada um daqueles que compuseram a lista disponibilizada pela ESAT e realizamos o procedimento de maneira virtual. Após a análise de dados o estudo revelou uma série de questões relacionadas à presença e à valorização da cultura indígena no contexto educacional brasileiro, especialmente no campo da Arte-Educação. A mostra reuniu dados referentes a sete anos e com muita dificuldade identificamos apenas um profissional que se autodeclarou indígena licenciado o que demonstra a hipótese levantada anteriormente, evidenciando a existência de uma lacuna significativa na representatividade dessa população atuando na Educação nos diferentes níveis, outrossim realça o descompasso entre a obrigatoriedade da Lei e o compromisso das políticas públicas quanto a colocação do profissional indígena para atender o que preconiza a Lei 11.645 que é levar para o debate acadêmico a sua história e cultura contada como ela é legitimamente. Concluímos com isso que, mesmo havendo demanda, afinal as famílias indígenas estão nos perímetros urbanos, não há admissão no mercado de trabalho e, as leis por si só não expressam significados seria necessário um Programa de Governo vinculado as Instituições do Ensino Superior que investisse na colocação destes nas redes públicas de ensino e/ou escolas bilingues e indígenas. Diante dessas reflexões, torna-se evidente a necessidade de políticas públicas mais efetivas e de uma mudança estrutural no Sistema Educacional Brasileiro, voltado para os povos indígenas. | |
dc.identifier.citation | FELIZOLA, Lamon Alves. Atuação do indígena licenciado em dança pela ESAT- UEA no componente artes na educação básica.2024. Trabalho de Conclusão de Curso (Licenciatura em Dança). Universidade do Estado do Amazonas, Manaus, 2024. | |
dc.identifier.uri | https://ri.uea.edu.br/handle/riuea/7059 | |
dc.publisher | Universidade do Estado do Amazonas | |
dc.publisher.initials | UEA | |
dc.relation.references | The scarcity of jobs and competitions for indigenous teachers to work in the education segment at different levels of training and the existence of Law 11,645 of March 11, 2008, which deals with the mandatory teaching of Afro-Brazilian and indigenous history and culture in public basic education and private sector raised the objective of the research: to investigate the performance of indigenous people with a degree in dance from ESAT-UEA as a teacher of the arts component within the scope of dance in basic education between 2016 and 2023. The study is an applied, exploratory research- descriptive, documentary and survey with a quantitative-qualitative approach. As interlocutors, we elected six adult subjects of both sexes, with an average age of twenty-six years, dance professionals, graduated from the School of Arts and Tourism (ESAT) of the State University of Amazonas (UEA) in the period from 2016 to 2023, where one of these declared himself indigenous. As instruments we used a semi- structured questionnaire with personal data and questions and an interview guide. The data collection process involved the participants who made up the sample as follows: we contacted each of those who made up the list made available by ESAT via WhatsApp and carried out the procedure virtually. After data analysis, the study revealed a series of issues related to the presence and appreciation of indigenous culture in the Brazilian educational context, especially in the field of Art Education. The exhibition gathered data covering seven years and with great difficulty we identified only one professional who declared himself a licensed indigenous person, which demonstrates the hypothesis raised previously, highlighting the existence of a significant gap in the representation of this population working in Education at different levels, also highlighting the mismatch between the obligation of the Law and the commitment of public policies regarding the placement of indigenous professionals to comply with what Law 11,645 recommends, which is to take their history and culture told as it legitimately is to the academic debate. We conclude from this that, even if there is demand, after all indigenous families are in urban perimeters, there is no admission to the job market and, the laws alone do not express meanings, it would be necessary to have a Government Program linked to Higher Education Institutions that invested in placement of these in public education networks and/or bilingual and indigenous schools. Given these reflections, the need for more effective public policies and a structural change in the Brazilian Educational System, aimed at indigenous peoples, becomes evident. | |
dc.subject | Arte | |
dc.subject | educação | |
dc.subject | cultura indígena | |
dc.subject | decolonialidade. | |
dc.subject | Art | |
dc.subject | education | |
dc.subject | indigenous culture | |
dc.subject | decoloniality. | |
dc.title | Atuação do indígena licenciado em dança pela ESAT- UEA no componente artes na educação básica | |
dc.title.alternative | Performance of indigenous dance graduates from ESAT-UEA in the arts component in basic education | |
dc.type | Trabalho de Conclusão de Curso |
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