Movimento corporal: expressividade da cultura sateré-mawé na aldeia Y’Apyrehyt

Abstract

This work has in its approach the body expressiveness of the movements in the ritual of the tucandeira belonging to the ethnic sateré-mawé, the study is based a little of the historical process and migration of the Sateré-Mawé people. The theoretical foundation is based on several theorists and scholars of the socio-anthropological area, among them Ribeiro (2018), Lorenz, (1992), among others, presenting in the first chapter details on the origin and place of residence called Andirá. -Marau, his displacements, acquired names, political organization, community distribution and how they formed this community, in the second moment the body movement is presented where we present the whole process of preparation, before, during and after the ritual giving visibility to the bodies of the ferrantes that participate in this rite of passage, Based on Mauss (1934), Le Breton (2011), Laban (1980), and other researchers of body movements. Thus, the third chapter presents the methodological process and subject field dialogue giving visibility to the object of study, later the analysis and discussion of data in the fourth chapter and finally the final considerations and recommendations, based on methods and techniques developed and lived according to the context lived in the field, where we identified that the referred study is extremely important for discussions about the social, cultural and political context that integrates the process of the tucandeira ritual, it is emphasized that the study will also contribute to the structuring and enrichment of others. academic works focused on the history and cultural arts of the Sateré-Mawé people. Keywords: Expressivity; Body; Ritual, Sateré-Mawé.