Laban e Feldenkrais na construção da expressividade do pesquisador intérprete

Abstract

The present work aims to present research related to the construction of body expressiveness, where body-image work was developed, created based on the methodologies of theorists Ruldolf Laban and Moshe Feldenkrais as a way of developing expressive gestures based on sensations and of everyday gestures, the methods of the aforementioned authors and their Self-image methodologies and Movement Factors in the form of body laboratories to be presented in the format of an Artist's Book. The objective of this research is to present in the format of an Artist's Book the study on the body-image relationship as a purpose for creating the expressive gesture of the interpreter-creator, based on experiments based on the Feldenkrais Method and Rudolph Laban's Movement Factors , using imagery records that boosted poetic aspects of dance creation in this research. In its methodological aspects, this research was characterized as qualitative, exploratory and descriptive research, as it followed an observational, descriptive and critical-reflective path of the events during the research process in the perceptual-imagery blocks, through body experiments integrating dance, body and image as mediating elements of the expressive manifestations of the researcher-interpreter, thus enabling a better awareness of the gesture/movement and the perceptual possibilities of environmental sensations, stimulating expressive movements in conjunction with the methods of the aforementioned theorists.