Técnica Klauss Vianna e autonomia artística em dança

Abstract

This research is guided by the bibliographic investigation of the Klauss Vianna Technique (TKV) and the understanding of the somatic approach and its applicability in the study of improvisation and creative processes, in order to answer the following question: How such approaches can collaborate in the process of training artists as interpreters and autonomous creators in their productions? The hypothesis raised in this work reflects on the fact that many of the difficulties that artists claim to feel in the field of creation can be caused by practices of automatisms and repetitions of movements and gestures that do not come from themselves and that their executions are not well understood. It is divided into two chapters and is developed with the objective of identifying the specificities of TKV, listing its contributions to artistic autonomy in Dance. The main theoretical bases of this research are: Strazzacappa (2012), Miller (2007), Neves (2008), Katz and Greiner (2005), Vianna and Carvalho (2005), Salles (2013) and Leal (2012)