Vídeodança: o corpo pós-moderno em comunicação tecnológica e áudio visual

Abstract

The postmodern historical context in relation to video dance is characterized by a series of social, cultural and technological transformations that occurred mainly from the second half of the 20th century onwards. Postmodernity is an era marked by diversity, fragmentation and rejection of unifying metanarratives, which has had profound impacts on the arts, including dance. The deconstruction of hierarchies between artistic forms is also a striking characteristic of the postmodern period. The development of this research has philosophical parts from Laban (1978) and Muniz (2011), viewed methodologically through studies by researchers Almeida, Flores and Mussi (2021). From exploring new forms of artistic expression, accompanying in making productions that combine choreography, videos and other multimedia elements, collecting works in which Entrecorpos reflects the vision and artistic identity of the dancers. Focus on technical and creative aspects to contribute to the composition of dance video works. Exploring visual elements such as cinematography, images and editing, which serve to complement and intensify choreographic works. Choreographers and video dance artists have challenged the boundaries between dance, film and other forms of artistic expression, resulting in works that incorporate elements of performance, installation and interactive technology. reflects the multiplicity of influences, the breaking of artistic boundaries and the exploration of the possibilities offered by technology, all driven by the search for an artistic expression that captures the complexity and diversity of contemporary cultural experience.