Corpo híbrido: uma experiência coreográfica de estudos de William Forsythe associados à Capoeira

Abstract

In the current scene in contemporary dance, the search for authorial movements and the deconstruction of the “classical body” built over decades by renowned ballet schools is notorious. or even ridiculous, the way each choreographer does this is important, as they use other techniques or bodily experiences to instigate hybrid bodies. The general objective of this research was to analyze a creative process of construction of the hybrid body, associating William Forsythe with the existing elements in the game of capoeira; mapping, mapping and reflecting throughout the creative process. After completing the research, it is possible to state that both Forsythe's studies and the game of capoeira can be used as tools in the creative body, and together they can indeed develop a body seen as a hybrid having infinite possibilities and ways of moving, I give emphasis that the more time in the practice and mastery of these techniques the more possibilities of authorial movements, the result of this is in the show itself where I see a final interpreter very different from the initial interpreter, in a positive way and full of energy for experimentation.