Corpo semiótica: uma análise semiótica peirceana e sua colaboração para o interpréte-criador em dança

Abstract

This research addresses a creative process in Dance, focusing on the collaboration of Peircean Semiotics during the work process. In view of this, the study carried out focuses on the analysis of the movements and signs that influenced the interpreter- creator throughout the laboratories, in which semiotic concepts and studies were applied with the aim of enhancing the understanding of the object of study and enriching artistic creation. Based on theoretical references regarding the proposed theme such as Peirce (2005), Santaella (2002), Greiner (2005) and other references throughout this research. The central objective of the study was to understand how Peircean semiotics contributed to the process of constructing the interpreter-creator,based on experimentation laboratories and studies related to the trichotomy of Charles Sanders Peirce's semiotics. To this end, we sought to apply a semiotic analysis of the final work through Peirce's studies, verify how this relationship of Peircean semiotics occurs in the construction of the creation of the interpreter-creator and identify how the study of Peircean semiotics favors the creation of the work and gives new meaning the artistic object for the interpreter-creator. The research adopted a qualitative approach,using the action research method, which favored a constructive dialogue throughout the study. Data collection was carried out using a field diary, cell phone, unstructured interview, camera, speaker and voice recorder. The results obtained were significant,and through Peircean semiotics, it was possible to achieve a more in-depth understanding of artistic construction both in relation to the semiotic elements that affect the body, through contact with the environment, and in the powerful analyzes of experiments, which structured their process more significantly.