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URI permanente desta comunidadehttps://ri.uea.edu.br/handle/riuea/1520
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Item Rio Negro em poemas : reflexos do homem(Universidade do Estado do Amazonas, 2017-04-30) Lima, Rebeca Soares de; Aleixo, Marcos Frederico Krüger; Aleixo, Marcos Frederico KrügerTo look at the Amazon Literature is to realize that the river has a right place, both in the life of city dwellers and in those of the interior. In general, the river is part of the life of those who live in the Amazon region, but it has been noted that one river, in particular, has presented in the literature another, darker and lethal meaning: the Rio Negro. Faced with such a discovery, this research aims to analyze poems that praise the Rio Negro throughout the history of Amazon Literature; Is also intended to compare the interpretations about the Rio Negro, for example, this one is described as dark and dangerous in most lyrical manifestations. As a guide in the analysis, one has the Psychoanalysis, portraying a possible projection of the man towards the river, emphasizing the reflective character of the Black River. In this way, nine poems of eight books were collected between 1899 and 2001, from the following authors: Paulino de Brito, Raimundo Monteiro, Astrid Cabral, Luiz Bacellar, Simão Pessoa, Quintino Cunha, Aldísio Filgueiras and Elson Farias. In the meeting of the poems it was possible to group them into four categories: the Telluric Black River, the lethal one, that of the encounters and that of the Man. Keywords: poetry, Rio Negro, AmazonasItem Produção artística visual no Amazonas na década de 1980 : análise iconográfica das obras da Pinacoteca do Estado do Amazonas.(Universidade do Estado do Amazonas, 2017-03-30) Monteiro, Milene Mírian Araújo; Páscoa, Luciane Viana Barros; Páscoa, Luciane Viana BarrosThis research aimed to analyze the artistic production in Amazonas through an iconographic study from selected works of the Amazonas State Art Gallery collection with the clipping of the last century's 1980s decade, to build a cultural artistic memory of visual production in the Amazonas State. First, was developed a preliminary survey of works from the Art Gallery collection then performed a critical inventory of artists and their works and finally the iconographic study. This research is characterized by being a bibliographic and documentary, in which were used sources and textual as well as visual varied documentation. The record of works was done through photographs and only of the works listed in the State Art Gallery's permanent exhibition. Once the selection of images was done, it went to the method of analysis which was iconographic, for a comprehension of the tendencies and stylistic aesthetic of this production, basing ourselves in Panofsky's art theory (1991), Warburg (2012) and for formal analysis Wölfflin (2015) and on visual arts in Amazonas, Páscoa (2011). The results of this research were recorded in a Android platform application and will be available in schools and even in the Amazonas State Art Gallery for the dissemination of visual production and Amazonian artists. Key words: visual arts; iconography; 1980’s; Amazonas; appItem Paratextos de edições brasileiras do Quixote(Universidade do Estado do Amazonas, 2017-04-30) Fonseca, Maria Gabriella Flores Severo; Cavalheiro, Juciane dos Santos; Cavalheiro, Juciane dos Santos; Cobelo, Silvia Beatriz; Silva, Allison Marcos Leão da; Celedón, Esteban Reyes; Matos, Maurício Gomes deEl estudio del Quijote es extenso y variado. Numerosos investigadores han estudiado detenidamente diversos aspectos de esta obra y su autor, Miguel de Cervantes Saavedra. Por lo tanto, el interés por su recepción crítica es inagotable. Una forma de profundizar la recepción crítica es recopilando las ediciones del Quijote publicadas en Brasil con el fin de analizar sus paratextos, tales como presentaciones, prólogos y epílogos. Sus análisis pueden permitir una comprensión de los tipos de lecturas tomadas hechas, a saber, un discurso realista, que compreende la questión satírica como central en la obra, o un discurso romántico, que adequa la interpretación a questiones exteriores al contexto de la escrita de Cervantes. Además, se trató de verificar el discurso sobre el proceso de traducción de la obra entre los editores y traductores en sus paratextos. Para profundizar en este estudio crítico, se seleccionaron diez ediciones brasileñas del Quijote. Se tuvo en cuenta, para esta elección, la representación de al menos una edición de cada traductor que publicó para las editoras en Brasil. Se utilizan, para la selección, las tablas explicativas de Cobelo (2009) y Caballero et al (2014), que llevaron a cabo el trabajo de compilar y detallar las ediciones. Se observó en el análisis tanto una lectura romántica, que desconsidera, muchas veces, el cómico de la obra, así como una interpretación realista. En cuanto al discurso sobre la traducción, se ha observado que es común los traductores afirmaren haber hecho acrecimos o cambios en el estilo y contenido de la obra para adaptarse a la realidad de su público. Esto demuestra que el lector, al tener acceso a una de las siete traducciones del Quijote en Brasil, tendrá cada vez una experiencia de lectura diferente, ya que el traductor adecua la obra a su estilo e interés. Concluimos, por tanto, que la realización de estos análisis contribuyen a un enriquecimiento del estudio crítico del Quijote, porque no tiene en cuenta los paratextos como elementos menores en la articulación de un libro, pero se entiende el libro tomado por el lector en su totalidad, y que los paratextos los detienen e influyen en su manera de leer la obra literaria. PALABRAS-CLAVE: Quijote. Ediciones brasileñas. Paratextos editoriales. Recepción crítica. Traducción.Item Pajubá : o código linguístico da comunidade LGBT(Universidade do Estado do Amazonas, 2017-06-30) Barroso, Renato Régis; Martins, Valteir; Martins, Valteir; Silva, Raynice Geraldine Pereira da; Matos, MaurícioThis work presents an anthropological linguistic study, which proposes to analyze the spoken code used by the LGBT community, more precisely, the pajuba, originating from the contact between the Yoruba African language and the Portuguese language with a little use of French, English and Indian language. As an objective, our research aimed at the analysis of it as a linguistic code of resistance used by the homoaffective community, making a survey of the items that enter into its formation and its linguistic peculiarities; as well as to trace it way towards anthropology in order to show its importance in the process of the Bourgeois habitus. We also study their relationship with sociolinguistics in the process of euphemizing the pornographic phrases spoken by homosexuals, and how this code helps in the fight against homophobia. Data for the research were collected through individual and group interviews, experience reports and virtual polls with participants from the homosexual and heterosexual communities, ranging in age from 18 to 63 years. In the end, as results, we seek to prove the pajuba as a slang and its importance in the identity process of the LGBT community. Key-words: pajuba; slang; gay.Item Os últimos falantes da língua Munduruku do Amazonas :habitus, dialogismo e invenção cultural no campo discursivo(Universidade do Estado do Amazonas, 2017-02-06) Cardoso, Ytanaje Coelho; Martins, Silvana Andrade; Martins, Silvana Andrade; Picanço, Gessiane Lobato; Martins, ValteirThe general purpose of this paper is to document the discourse of the last speakers of the munduruku language of Amazonas, and it has as orientation three specific objectives: the first is to evidence the discourse enrolled in dialogism of the elderly through the analysis of the habitus; the second is to demonstrate how the discourse of the last speakers of the munduruku language of Amazonas ends up being constituted as a historical and symbolic capital in the political field; finally the third is to delineate the cultural invention in the discursive field as a strategy of resistance of the munduruku people in the ethnolinguistic scenary. The corpus is composed of ten interviews, whose content is circumscribed to the language and history of the munduruku language. The main agents of the interview are the elderly people, the last speakers of the munduruku language of Amazonas. Interviews were also carried out with some indigenous leaders and authorities in the Linguistic and Ethnolinguistic fields in order to understand what these discourses have in common and how dialogism is outlined in them. In regard to the methodology, this research included both bibliographical and field research, therefore having a qualitative character. In the first stage, the bibliographical one, it was made a survey of what has already been written or published about the munduruku of Amazonas: single publications, newspapers, magazines, books, researches, monographs, theses, written or oral reports transmitted by means of communication, such as audiovisual recordings, among others. After the bibliographic research, the field research was started. The participant observation was adopted, in which the researcher joins the research group, in order to experience the habitus (system of provisions incorporated) of this group. The conclusion reached, given the evidences of the ten statements analyzed in this dissertation, states that cultural and discursive invention is a strategy that is inserted in the dialogical network of communicative action, constructed historically and dialectically and manifested in statements inscribed in the most diverse genres of the discourse and in the most different fields of social, cultural, political and ethnolinguistic activity, perpetuated by the habitus, set of dispositions incorporated. Keywords: habitus; dialogism; discursive invention; munduruku.Item Os trios de avondano em Dresden : uma abordagem interpretativa(Universidade do Estado do Amazonas, 2017-04-30) Costa, Manoella Coutinho; Páscoa, Márcio Leonel Farias Reis; Páscoa, Márcio Leonel Farias ReisThe manuscripts of three sonatas in trio attributed to sgnr Avondano are in the Public Library of Dresden under cataloging D-DI. Mus.2661-Q-1, D-DI. Mus.2661-Q-2 and D-DI. Mus.2661-Q-3. Its transcription was developed by Francisco Jaime Cordeiro da Costa at the Laboratory of Musicology and Cultural History of the State University of Amazonas. The intended approach of these compositions is initially an analysis on the condition of the performer and its context in relation to such repertoire, and then, develop an interpretative analysis in which rhetorical elements can be evidenced and added to the variety of topical and styles present in the trios. The objective of this research also includes examining relevant structural aspects and authorship criticism, in order to produce information that collaborates with the interpretation and execution of the trios as the final product of the research. Keywords: Avondano. Sonate. Performance practices. Topics and Musical Rhetoric. Topics. Violin. MusicologyItem O riso e a comicidade no Quixote(Universidade do Estado do Amazonas, 2017-05-24) Ferreira, Patrícia Maria da Silva; Cavalheiro, Juciane dos Santos; Cavalheiro, Juciane dos Santos; Jesus, Carlos Renato Rosario de; Oliveira, Rita do Perpétuo Socorro Barbosa deThe old criticism of Quixote ([1605] 2002), until the 1750s, formed the work as purely comic. With the arrival of the romantic interpretation, from the eighteenth century, Quixote went from a crazy burlesque to a utopian dreamer, and what was comic turned in to tragically. Even though there are different interpretations, in Quixote there is, with no doubt, a strong presence of comedy. This is especially notable for his parody structure, but, in addition, the Cervantine text causes laughter in several other ways. Therefore, our proposal focuses on the analysis of how this comic is caused. Much of what is written about the laughable in the Quixote identifies only the parody and the stylistic contractor as causers of the comedy of the work. This study, on the other hand, intends to link the Cervantine narrative to theories of laughter, in order to perform a work in which other ways of laughable present in the work will be evidenced. In addition, a historical panorama of laughter, from antiquity to the period of publication of the Quixote (seventeenth century), will be drawn up to provide support for a better understanding of the comic in Cervantes' masterpiece. Key words: Don Quixote. Comic. Laughable. Cervantes.Item Estudo analítico e interpretativo de 10 canções para canto e piano de Waldemar Henrique compostas entre 1930 e 1937(Universidade do Estado do Amazonas, 2017-04-06) Silva, Luciana Pereira da Costa e; Trilha Neto, Mario Marques; Trilha Neto, Mario Marques; Pacheco, Alberto José Vieira; Páscoa, Márcio Leonel Farias Reis; Souto, Luciano Hercílio AlvesThe purpose of this work is to provide subsidies that can help on the interpretative construction process of ten songs of brazilian composer Waldemar Henrique, composed between 1930 and 1937. On the thirty decade scene, the composer from Pará state gained feature as on of the adopters to Vargas Era Nationalist ideology, moving to a canonical center in pursue of visibility and national-wide acceptance, the Rio de Janeiro city. His compose thematic, which aims to evoque the origins nationalism, was in place as multiple voices raise from global shantytown's to compose nationalism strategy. Inside this context, it was assembled historical information that could refer the aesthetics choices of the composer, as well as technical and interpretative aspects utilized by radio singers. Aiming to understand multiple views of study, the approach used was a ontological stamp. . Keywords: Interpretation, Brazilian songs, Waldemar HenriqueItem Educação de surdos : o discurso da inclusão educacional produzido por surdos e ouvintes(Universidade do Estado do Amazonas, 2017-04-19) Santos, Marcos Roberto dos; Costa, Claudiana Nair Pothin Narzetti; Costa, Claudiana Nair Pothin Narzetti; Jesus, Carlos Renato Rosario de; Souza, Sérgio Augusto Freire deIn recent years, social inclusion policies have gained a large proportion in our country and, consequently, the education also assumes this inclusive character. Regarding the deaf, it can be seen that inclusive education has different meanings, because the discursive formation of the hearings who have promoted these policies of educational inclusion is in disagreement with the discursive formation of the brazilian deaf community. For the understanding of these discursive formations it was used, mainly, studies of researchers such as Capovilla (2006, 2012, 2016), Quadros and Karnopp (2004), Quadros (2004, 2006), Ferreira (2010), Strobel (2015) and others. As theorical-analytical referential, we adopted the French Discourse Analysis with theorists such as Pêcheux (2014), Mussalin (2001), Fuchs (1997), Orlandi (2013) and others. The corpus analyzed was consisted of legislation, documents, videos, interviews, posters and leaders’ speeches of the deaf movements. In the analysis, it was possible to notice that according to the proposals of the Ministry of Education, deaf students must study in regular schools, with the presence of translators/interpreters of Brazilian Sign Language and have the right to attend the Specialized Educational Attendance in the opposite shift of the class. Thus, the deaf can be inserted into the hearing society and avoid the formation of segregationist spaces. On the other hand, the brazilian deaf community require to have a specialized school where the sign language occupies the function of first language and the language oralized as second, in the written mode. In this context, educational inclusion provides a devaluation of the deaf culture and its linguistic identity. Thus, it is possible to notice that this discursive formations establish relations with different conceptions about the deafness. Thus, this work sought to contribute to the understanding of how the meaning effects of educational inclusion work in the discourses of inclusive policies and of the deaf community. Keywords: Discursive formation. Discourse. Educational inclusion. Deaf community. Bilingual education.Item Bom dia para os defuntos como mônada antropofágica : violência mítica, realismo maravilhoso e história na obra de Manuel Scorza(Universidade do Estado do Amazonas, 2017-06-28) Borges, Thiago Roney Lira; Silva, Allison Marcos Leão da; Silva, Allison Marcos Leão da; Ribeiro, Gustavo Silveira; Cavalheiro, Juciane dos SantosEste estudio presenta una interpretación de la composición estética de Redoble por Rancas (1970), del escritor peruano Manuel Scorza, la primera novela de la pentalogía La guerra silenciosa, que recrea a través de la ficción las luchas de los campesinos indígenas los Andes Centrales del Perú contra los grandes propietarios de tierras y una empresa estadounidense de minería en los años 1950 y 1960, situada en el contexto del boom de la narrativa latinoamericana. Lo busqué dar respuesta a dos problemas fundamentales relacionados: cómo se construyó el significado de la violencia y de la historia mimetizada en la forma novelesca; y qué estrategia cultural se llevó a cabo bajo la relación de confrontación entre las instancias premodernas y modernas de las condiciones socio-culturales propios del Perú. En este sentido, en un primer momento, analicé la representación de la violencia de su enfoque de concepto de violencia mítica de Walter Benjamin, ya que las luchas campesinas están incrustados en la relación entre las esferas del derecho, del poder y del la violencia, permitiendo evidencia una orden mítica del derecho que dicha como condición para los vivientes nativos una mera vida peculiar en contraste con la dimensión de decisión soberana de la vida histórica. En un segundo m omento, me trató de comprender la inserción estética paradójica de la novela, que cae al mismo tiempo en el indigenismo peruano y en la nueva narrativa hispanoamericana, como un caso especial para la operación del realismo maravilloso, proporcionando, a través de la combinación sémica entre el orden real y maravilloso, la inserción de la racionalidad del mito en el orden sobrenatural como coraza del porvenir de los vencidos andinos para el efecto de sentido de la historia mitificada. En un tercero momento, propongo leer la imagen general de la narrativa como mónada, en respuesta a la violencia del la forma del contenido, como presentación de la historia de los vencidos andinos en su reescritura estética a través de una imagen dialéctica según la perspectiva conceptual de Benjamin. En seguida considero la antropofagia, en lo que se refiere la devoración transcultural en cuanto solución estética, como estrategia para la realización de la novela, ya que muestra una digestión creativa y salvaje de la cultura moderna desde la infiltración de elementos premodernos, lo que hace inteligible la inserción estética contradictoria de la obra. Por último, cogito la posibilidad de una politización de la estética del realismo maravilloso en Redoble por Rancas, causando una división en la vocación historia del boom, de reemplazo de la política por el estético, según la perspectiva crítica de Idelber Avelar (2003). Palabras clave: literatura latinoamericana; realismo maravilloso; Manuel Scorza; indigenismo; antropofagia.